Vitchev's latest effort is another jewel in his growing catalogue of widespread genres. Given Vitchev's warmly ambitious range of projects, he may soon be able to center his own multi-
This presents his current, contemporary style quartet in an impressive showcase. The SF bay area group's core has played together in various ensembles for years, and their cohesive evolution is demonstrated throughout. Vitchev gives his band mates plenty of room to groove from the opening track on, they respond with crisp cascading chords.
When Vitchev does step out his quick, clean leads hold up respectably while drawing inevitable comparisons with heavy hitters like John Scofield or Pat Metheny. The title track would fit in well amidst Metheny's American Garage. Nothing new under the sun? Maybe not, but there is plenty of positive light and energy here.
In line with Vitchev's discography, much of the album is piano driven, "Selective Absorption" a case in point alongside "The Shortest Wavelength," on which longtime collaborating bassist Dan Robbins' nicely stretched solo strings glide precisely over Mike Shannon's ample sticks.
Vitchev remains relatively subdued for nearly half that 12-
On "Pentachromatic Butterflies" heavy bass paves the way for a deep journey illuminated by staccato bursts that will probably become a live treat.
"A Portrait of a Love Forgotten" and the gentle "At your Side" further highlight exceptional chemistry between Vitchev and Daya Singh that brings out the best in both. Some very smooth ballads done just right, with the rhythm section tight, on creative patterns.
Whether or not it's actually the strongest track, funky flurries on "Partial Darkness," including some nice closing riffs, end the album with a bang.
Vitchev wrote all the songs, and it figures there were valuable contributions from the rest of the group. Production and sound quality were excellent when experienced on two different systems.
Another plus is the length of the album, at a value-